The Book Launch Party for River Road - Hillel Wright

Dear Friends & Colleagues,
The Book Launch Party for River Road, the sequel to Border Town will be a Sunday Brunch at the Pink Cow ("" in Shibuya, Tokyo on Sunday, April 8 from 12 Noon to 4:00 PM. The admission is 3500Yen and includes the full Brunch Buffet + a signed (if desired) copy of River Road.

Border Town (2006) told the story of fictional manga artist Fumie Akahoshi who becomes rich & famous in Japan. In an act of hubris she creates a manga which implicates the Emperor in the WWII “comfort women” scandal. As a result, the Right Wingers hire the Yakuza to assassinate her. At the end of the novel she has disappeared.

River Road tells the story of Fumie’s abandoned daughter Angelica Akahoshi who becomes a famous graphic novelist at a remarkably young age. In her 20s she begins a world-wide search for her lost mother who she strongly believes is still alive. A short, cryptic telepathic message from Fumie spurs her on, following story clues along the “river road”.

Readings will begin at 1:00 PM. Guest readers include Alan Botsford, Frank Spignese, Hans Brinckmann, Jeremiah Dutch, John Gribble, Wally Gagne, Wayne Pounds and Yuri Kageyama. Taylor Mignon will MC. An open mike will begin at 3:00 PM as time allows.

Please RSVP / ASAP so the Pink Cow staff will know how much food to prepare. Feel free to post on Facebook, LinkedIn, etc. and to invite your friends and colleagues. Looking forward to seeing you on April 8

Best wishes,
Hillel Wright

Oh those holes

I get it, be what you say, say what you mean
write what you feel think see
Do not spout from the mouth of the history of others
Unknown, Untouched
Singing songs unowned, overgrown, words thrown, wanton
I am the words, fight me, bite me excite me
Or fuck off, impolitely, to a space you never fucking own
And breathe words not your own and hope someone turns the sun on
Because you do nothing valuable, nor invaluable
Priceless in your pointlessness
Pricking the conscience instead of consigning the pricks
To a hell they deserve, full of their own voices
Jabbering, selfish, stupid fucking shellfish of an existence.

One year after (Japan Earthquake Mar. 11, 2011)

One week.
Everything happened in one week.
And, nothing...
nothing happened in one week.
Thousands died
Even more cried.
People ran their lives.
One week flew by so fast,
I hardly recall what I did,
but watch the tv in disbelief.
Life goes on
One year later,
Selfishly, my anxiety has all but vanished
But when the earth shakes, I recall Mar. 11
and for a second or two
reflect on my own mortality
One year later,
two minutes of silence is all they get.
Life goes on.


It's a cold, cold world
You don't think so?
I tell you, it's a cold world
especially -- especially when it snows.
I could write about how each flake falls silently into its rightful place.
O me, O Life, what a white peaceful blanket thou make
But does it keep me warm?
Hell no!
Each of us are in the middle of a storm
what philosophers and poets call "Life."
And this storm rages from morning to night
The human predicament that gives assholes like me something to write
Oh, the pain
This cold cruel world invades my brain
a razor's edge
Cliché sharp, and shit like that.
Why be optimistic?
After all, we're all gonna die someday.
blah, blah blah
It's far easier to write a pessimistic poem anyway.
So, I should change my tune
and write about this wondrous blue Earth of ours?
Azure sky,
Billowy clouds,
Vast oceans,
Sandy beaches
Majestic mountains,
Resilient trees,
Roaring rivers,
Babbling brooks,
Birds and bees
but I always forget to add mankind in natural landscapes like these
(I wonder why.)
How about if I write a love poem?
I'll be cupid playing the harp
words tugging at the heartstrings
making the girls weak in the knees
How can I fuck thee?
Let me count the ways
Well here's a start: the original Kama Sutra illustrates 64
though I can watch porn on the internet and discover a whole lot more
So, I just want to say that words--
words don't mean shit
It's how you feel inside.
Either be the poem or
you are just sounding off
that noisy piehole of yours.

Palaces of the new paradigm

I'm an anachronism, out of time, out of place
Out of mind, out of the game and out of space
and yet the old hunger is still there, in the gut
in the soul, in the sinews and down in the mud
being in the gutter, blasted, dirty is good enough for me
you can keep your gutter seen stars Oscar, I like dirty
The clouds keeping pace with the wind, no control there
Still bet their cloudy egos let them believe all's fair
and that they are choosing there own directions cleverly
and that as they fly by a distant cumulus pal it's not serendipity
But their home made, rainless, blue sky destiny.
Well, sorry to say you cloudy freaks
You filled with self belief, formless geeks
That it's all out of control
wake up and fly agianst the wind.

Recalling an old flame

My old flame
how it used to burn bright
at least that's how
I remember it.
My old flame
doesn't burn as bright.
and that's what they call
Now in the morning mirror
I can hardly recognize
I don't want to count--
count the wrinkles
on my face
And I don't want to count
the missteps
I took along the way
I recall when my old flame used to...
oh yeh,
she used to...
well, you know.

I will spread you


I peer down
Smiling at the sight of your open jar
All wet and sticky inside
Waiting to be eaten
golden brown delight
You look to good to be true
My mouth waters
I smack my lips
I'm so hungry for you

Now that I have you in my palm
Soft bread
And exposed
To eat you. I don't need a knife
or a spoon
no jams and jellies
but I just want to stick my tongue in there
and scoop out some of you.
I have to have you

I will grind you - slowly
You see, common everyday fakes like Jif just ain't my style
Whether you are creamy or chunky,
And indeed Skippy spreads easy
But I read the label carefully
full of fructose and sodium
And stuff I don't understand
I want the real deal
I want the 100 percent organic nuts
I say, if you got it, then spread it, baby
I want you-- I want you like
I want an open peanut butter sandwich
on whole wheat bread and a glass of cold milk
You taste like heaven.


You feed me schezuan chicken.
Your chopsticks resting on my tongue.
It’s going to be a good year.

Oh the words

Chinese new year, beckoning the other side of a heavy weekend
I hear a man, talking of his mistress..."like an axe wound in a poodle"
He obviously loves her and her somewhat canine nether regions
The joys of alcohol with the tatste of ether, chinese white spirit breath
And the bells rang in some temple, the neighbours complain, deaf gods
Sweet pork, signs reading "this is pork" so non-pork eaters don't err and scoff heretically
I'll happily head to hell, bacon sandwich in one hand, inverted cross in the other
And the guys in the bar next door try and convince locals to blow them
The locals try and convince the lads they are real and human
The huge scaly dragon image stares down, uncaring, spitting water not fire
The lamps glow, cheaply, make-up shines and erections die as the booze drowns eros completely
Brand new shiny chariot cars roll on, drunken drivers looking for dead kids
The hookers stare everyone down with "go on, fuck me then" eyes, mascara blurred
The bells ring some more, like an old headmasters voice, deep, hollow and annoying
"I'll have the same again" someone says to a hooker, no gins, no grins, just business
My guinness is flat, my legs ache and it's a no smoking bar, so I head outside to watch the dragon dance.

Falling Moon, broken hearts

She always cried at the moon, it looked so lonely
She was caring like that, she hated to see even a single lost shoe
Everything should be in pairs, but the moon stood tearful, alone
She loved the moon dearly, she knew it loved her too
Silvered beams would caress her through her cracked leaded window
She'd turn her pillow over, cold side up, a pretend moon to rest on
To talk to, to cuddle the absolute loneliness away
She loved the moon being lonely, she hoped nobody would live there
It was her lonely moon, she wanted it lonely, then she'd not be lonely alone
She'd sleep in the daytime, moon loving vampire like
Though she hated the sight of blood, moons don't bleed
She does, she hates her blood, yet it's so pretty, arms carved, like the moon's face
Cigarrette burned craters pitting porcelain white skin
Just like her moon, cratered, hanging alone waiting on nothing
And as everyone waits for the inevitable end, the white marble quietness of death
She smiles, the moon endures, cold and distant, but resolute and so here she'll stay
Until the moon lets her leave, she's brave like that, beautiful bravery, insane.

She's tired

Crying at the icy window, nobody outside
Her warm fingers trace patterns of hearts
That soon melt away with the softest of breath
Just like her own, she is so tired

Vacant, oh so vacant, the stare that unlocks the bathroom
Cold, tired fingers turning old tired taps, begging for tepid water
To warm her chilled heart streams and Bering sea blood
She uses no cheap poundshop bubble bath today, hard soap cleans

A valve in her mind shattered, like an old guitar amp feedback burn
Too many old albums, she never really liked cds, tapes she could stand
Her feet warmed slightly by the water, her love still frozen in minds ice
She laughs at the pubic nastiness of her razor and awaits the last winter

She was a lovely lady.

Reality is random, probably

It's all connected, the paranoid know a little of what is going on
Hair do Kim snuffs it while the throngs weep invalid
Europe gets fucked off by the dead empire
I dreamt of Richard Nixon, mate of Mao, enemy of cancer
Vinyl makes another comeback as the record stores close
The spacemen land and demand to see the manager
Mails go unanswered, I've done something wrong
ex-wives find love and despair, measures equal
Wives of the now laugh and a bell rings, perfumed mornings
Crisp packet like bed sheets betray the wanker who slept before
Talent shows on magic lanterns make me violent
Drugs keep the calm anger ripe and ready to fall from the brain tree
Whisky still burns my throat, single malt indigestion
The nerves of the new year and the spatter of hopeless hope
The waking tendril arms of deja vu slap listlessly upon cheeks red
New watches, family entertainment system for the single man
The dead christmas tree turns all lord of the ringy in my nightmare
bauble covered skeletal despair filling the post christmas night
And still Kim Jong's hair looks like one bong too many
Family traits, follicle, insane.
I wonder why,why I am writing
to whom I am writing and then it dawns
the crack in the sky the opening mind eye
to you obviously, it's the why defeats me
alongside the meaning.

New Year Pseud Invasion

The pseuds are out, in every bar, never brawling
From over educated slimy lips clever words are falling
Ears search for plugs, the sensible among us for drugs
To block out the drivel dribbled out by the pseud mugs
"Have you read the...", "my view is...cleverly"
Ignorance is the politeness in this hated reverie
A memory clouded by the pub clever men, studenty dour
Long coats, berets float on to top of heads dull and sour
Smelling of eastern oils, the philosophy of hypocrisy
The "we know best" sewage pours all over me
And I start to boil, I start to foam, I am working
And 38 year old students are still blurting
About the fact that they are still learning
As if my life has no educational meaning
The pseuds annoy, the pseuds destroy
With words spitting faster than the babies toys
flying from a million prams, as you say "hey pseud"
"I do mean to be incredibly rude"
When I say "fuck off"

TSUNAMI (Part 3) by Hillel Wright

3. Recourse (March 11, 2011)

March 11, 2011 and three fishermen
are out at sea
off the northeast coast of Japan.

Let's call them Kikuchi, Sasaki
& Suzuki— common family names
of the region.

At 1440 hours
they hear the earthquake warning
and 15 minutes later
the tsunami warning.

They hear the jisshin was 9.2
on the Japanese scale
but how can that be?
The scale goes only
up to 7.

Kikuchi, the leader, tells
Sasaki & Suzuki
to head out to sea

"We must meet the wave head-on,"
he tells them.
"It's our only recourse —
there's nowhere else to go."

Half an hour later
they see the wave
a rolling mountain
on the far horizon
or rather, obliterating
the horizon altogether.

All together they head for the wave.
"90 degrees," Kikuchi warns them.
"Make sure to take it head-on —
90 degrees."

The boats and the wave move
inexorably toward each other
steadily, no hurry
like two old lovers
meeting by chance
on a lonely city sidewalk
at dusk.

"Keep your eyes on the wave"
Kikuchi tells them
"Head-on, head-on, 90 degrees —
don't be afraid."

Head-on, head-on, Kikuchi meets the wave
and climbs, the boat
bends over backward
rises like a rocket
to the celestial crest
then - over the top —
and the long slide down
the back of this brontosaurus
of the sea.

Out the starboard window
he spots Sasaki
"Good job, Sasaki-san," he spouts
in the radio mike
Yoku dekimashita!
Well done!"

Out the port side window
he sees the roiling sea.

"Can you see Suzuki?" he calls.

Sasaki doesn't answer.

"Sasaki," he calls again
"Where's Suzuki"


"Sasaki—can you hear me?
Where's Suzuki?"

"Sasaki!" he cries
"Can you hear me?"

"I hear you."

TSUNAMI (Part 2) by Hillel Wright

2. Fear & Rumor (June11, 2011)

We’ve been waiting for three days
here on Tokashiki Island
in the Ryukyus

Finally, a tuna boat comes in -
the Mayu Maru, Captain Fujiwara

He’s got three yellowfin tuna –
two juveniles – Okinawans
call them shibi -
and one adult
kihada maguro

It’s 35 kilos, sashimi grade
a beautiful fish if truth be told
it gleams in the sun
when Fujiwara-san
lifts it from the hold.

Captain Tamaki, of the Fishing Co-op
on the cell-phone
looking for a buyer.

They used to sell to Taipei & Shanghai
but no more – Taiwan & China
refuse all seafood from Japan.

“We’re in the East China Sea, for God’s sake”
says Captain Tamaki, “Over a thousand miles
from Fukushima – and still
they won’t buy our fish”

An hour passes
we wait
finally, a buyer in Manila

In Shanghai this fish is worth
a thousand dollars
Manila offers seven-fifty
Captain Fujiwara accepts

“Shipping costs will be higher too”
he says.

TSUNAMI (Part 1) by Hillel Wright

1. Recovery (September11, 2011)

The harbor is clean

There is no damage to be seen
except some cracks
in the concrete
of the breakwater
across the bay

But that could have come
from anywhere –
a coastal freighter
dragging its mooring
in a summer typhoon.

Where is the debris –
the garbage & wreckage
of the earthquake
the flotsam & jetsam
of the killer wave?

I know the answer –
I’ve seen the trash mountain
rising out of a rice field
from the railway platform
the last stop before the end of the line
here in Oarai.

The huge Kubota traxcavators
climbing the refuse mountain
shoving, shoveling
dozering, compressing
look like Tonka Toys
in a little boy’s backyard.

This mountain is the harbor
and the waterfront
of Oarai – forty fishing boats
bent & twisted car doors
fractured windshields
houses deconstructed into muddy junk.

But the harbor now is clean

The work of hundreds -
volunteers, patriots of Oarai
fishermen, City Hall clerks
heavy equipment operators
construction contractors
high school athletes
teachers, parents, visitors
from Tokyo & Kobe & Katmandu

And now the harbor is clean

Then the silence cracks
breaks like a wooden house
in the jaws of the jisshin
as the Japanese call “earthquake”
as two fishing boats round the point
and enter the clean silent harbor
from the Pacific
and the muffled rumble of their engines
brings the silent immaculate harbor to life.

They are not big boats –
mid-water trawlers
4.9 ton registry
to avoid paying the higher fees
of the 5 to 10 ton fleet

They’ve been dragging for whitebait
baby sardines
which the Japanese call shirasu

They eat them raw or steamed
as topping for bowls of rice
garnished with thin yellow strips
of omelet
with pickled daikon radish
and miso shiru on the side.

Do I dare eat a serving for lunch?

I dare.
I’m served a bowl of rice with topping
the Japanese call this donburi
the topping is steamed shirasu
freshly caught
the Japanese call this dish
“shirasu don”.

It’s delicious.
The Japanese say “Umai!”

After lunch I visit the Fisheries Office
with the Town Clerk.

They apologize – they can’t give me
any data – all their records
their computers – washed away

They tell me there were 105 boats
in the fishery
29 were damaged or destroyed
or washed away

Most were fishing, out to sea
but most of those in the harbor
were damaged or destroyed
or washed away.

Today, six months on
80 boats are able to fish
but most are not fishing
they sit in the immaculate harbor

She blows hot and cold

The weather outside has become cold
and inside the television's glow
the forecast of the season's first winter storm
sleet and snow
My priority is heat
various means of body warmth:
heating oil
electric or gas
heating fans and fireplaces
vents and baseboards
But no matter the season--
no matter the temperature outside
my baby, she blows hot and cold.
It's the unpredictability
I don't care for:
this woman thing
Where nonchalantly she says:
"It's my character, that's all."
I make it a point to press her buttons with my remote
dinner and wine
candles and compliments
dessert of course
But, I'm lucky if the light goes on.
I say, "What the heck?"
I swear something--
something must be broke.
Then again
when I've almost given up
thinking: well, I don't have the right stuff
she will unexpectedly be turned on
I'll tell ya this game--
this game with her:
Man, it is getting old
You see, I just--
I just never know
My baby, she blows hot and cold.

Come get your seasonal humbug

The faces stare back, grim and unfocused
Looking for inspiration, frogs buried in the desert
Dry and waiting for the deluge
Ideas bereft, no imagination, nothing left
And the clouds contain nothing but old sand
This boredom, this living death sentence
Arrived at on trains and buses world over
Offices, factories, sweat shops and cafes
Broken hearts cling to each other
For the goodness of paper fiat dreams
The currency of our lives no longer emotional
No longer communal
There is no dog eat dog, who cares?
Hunting and gathering coins and notes
Hearts and minds just dust motes
In this incomprehensible mish mash
Love? It lies where? Or is it a lie, lying deathly pale
Under moneyed eyelids
And the children cry for another game
And the tinsel glints like bloodied entrails
A new toy, a new this and that
And the parents drink another school uniform
In the pub of our darkest day
And the milkman has gone
And the postman wants his Christmas tip
And I am tired of all of it
Whoever invented Christmas should be fucking nailed up.

LYMA - A letter end

The winter excites me, chilled and wrapped in melancholy blankets old
Waiting for the morning frosts and fog swirls ankle deep
The girl, cold in the corner shop, eyes of malachite glinting
I always wanted to take her by the hand, go somewhere better
There was nowhere to go, we were both just winter specters
Looking for warmth, but loving the bite of winter’s ruinous mouth
The acrocephalic boy building a pin head snowman laughing
The dead girl in the lake, shimmering like an ancient ice queen
The ridiculous aged flamfoo, winter clothed as if it’s still 1975
Flares and snow do not a good match make
I remember screaming that we were mainly in the 90s now
Angels on sidewalks, soft snow shadows of children
The cold always brings us closer together, you curl across my back.
I am always upset by those lonely single gloves, lost on pavements cracked
I wonder how many people are cursed with the same separation?
Winter brings us together, unless you’re completely alone
Winter brings us together, unless you’re self hate makes you invisible
I love your hands in winter, cold on my thigh and the small of my back
I love your cheek, chilled and pressed hard against mine, sipping the warmth
The cold skeletal trees grasping for one another across parks and old roads
Like the dead stretching out for that final warm touch of the living
The 3 bars on the electric fire on, 30 minutes in the morning and 30 before bed
Electricity seemed more valuable then.
Memories and present time always get lost in my winters
I’m glad you are a part of so many of them
Naked in a frozen wilderness, your eyes in my mind would keep me warm
A squirrel dances, snow showering, up a tree as your smile opens the door.

Who needs TV?

He hits her daily, sometimes with love in his fist and sometimes with ugly fear
But never with hate, he loves her, she believes him with every bruised tear

I see them every day, holding hands, walking secretly in their anti biblical love
Their wives cook dinner, a daughter wants to be thinner, the lies fall breathless from above

The starving man howls as he creeps and he cowers at the rubbish from the burger joint
The pimpled teenage boy smiling thin, padlocks the dead grey rubbish bin, he blindly misses the point

The business prick prowls and into his mobile phone he scowls as he cuts another huge deal
His secretary laughs at yet another Hermes scarf that he hopes her heart will steal

The four horsemen appear, through dark clouds of fear and stare around with scabrous eyes cruel
Death looks at famine and war and asked "what are we here for?" and pestilence says it feels like a "fool"

"Tears in your coffee sir?"

Something from Calling All Shadows, go buy it up on the left there! U skinny rats!

Brought to mind by Stupid Boy by the inimitable JZ and republished nere by kind permission of the author, me.

The old faces of the comfortable shopping places are all closed down
Gone are all the old stalls, replaced by torpid, faceless malls, in this town
The worn velvet sofa in the old Mom and Pop’s coffee shops are rotten and gone
The corporate greens of business mens dreams are where we get coffee from
The burger stands are outmanned by the signs in red and gold
The grocer’s farm fresh veg has lost its edge and falls into a freezer cold
We kill community with impunity.
When all we need is some unity.
To get back what we’ve lost.

Written on legitimate iphone, far from home, drunk as a mad moth..maaan.

Twenty five kinds of lager they had
Only two were in stock, beautiful disaster
The Chinese British pub, ducks feet in onion gravy
Side of lumpy mashed potatoes and mao tai
Oh the cultural implications, beautiful disaster
Bar staff grinning, Ripper like, ready to steel extra yuan
from the implausibly quiet western man, beautiful disaster
My iphone, company bought, described as "stupid"
The next stool sat salesman could have got me 12 local ones
you guessed it, beautiful disaster
And a beautifully disaterous girl staggers through darkened doors
Made up and doll like, a massage for all, a message to me
Yeah yeah, a beautiful disaster
The round european blimp, more lumpy than the mash
His eyes searing "suck me" pellets as his snidely checks his cash
A fat fuck of a beautiful disaster
Odd couple, they leave, the space between the doors mirror the moment
Empty, yawning, their closure as obvious as the european leaving
with his beautifully cheap disaster
An Indian Chelsea fan, drunken turban askew asks where he can get a curry
More ducks feet appear, curry sauce and more mao tai
Cullinary culturally a real beautiful disaster
And the taxi ride home, head swimming at olympic pace
I feel sicker than a penniless slot machine
And as the taxi spins faster through this beautiful disaster
I realise what a pretty, calamitous evening I have seen.
And disaster is relative, beautiful or not, it's only a word...right?

Stupid Boy

So I went see Mr. Satori again, if you remember him from my old blogs. He was there in his shop as usual - off in the far end of the room sitting on his dark purple zabuton in the lotus position on the same two-foot raised tatami platform. His eyes closed with a half-full saké cup in from of him.

He didn't sir as I opened the old-fashion sliding wood and fogged glass entrance door to his coffee shop - appropriately named Zen Coffee.

I stepped in. Paper shoji covered the two windows letting the outside light in but blocked out any view to the street Four tables and stools for unlikely customers fit in the small room. And where the tables were, the floor was concrete. This was not that unusual for a Japanese mom-and-pop shop serving ramen or drinking spot "a snack" for salarymen. But then again, Zen Coffee is not a usual shop either.

The room was nearly barren. You see Mr Satori's Zen Coffee shop had to be that way. His shop doesn't even serve green tea.

Over the years that I have infrequently visited this shop, Mr. Satori has looked pretty much the same - very little change with age. Perhaps he was always already old. His long white beard was a little longer, but not much. I wonder if he ever trims it. His long white hair pulled back - looking like an eccentric brother of Mr. Miagi in Karate Kid.

Mr. Satori served only one kind of coffee - black, served in a small cup with no handle. You might say Zen Coffee is 180 degrees from Starbucks which has at least 20 different flavors of coffee and 5 different sizes - plus all those scrumptious expensive snacks. But it is also often hard to get a seat at Starbucks.

Zen Coffee is unique. Coffee served with koans, not scones, if you get my drift.

Either something had been bothering me or I just wanted to see the old geezer for some odd reason again. Anyway it was I who came to him and not he coming to me. Or simply I was looking for something different from the usual Starbucks and the like coffee shops clones.

My eyes scanned the room looking to the best seat in the house, not that any particular one table would have made much a difference in this one small room. Anyway, I chose the table sort of nearest to where Mr. Satori was sitting and parked my ass down. Mr. Satori continued to sit in the lotus position. Eyes closed.

I was always pretty much amazed by those people you can sit in that zazen position - A. I'm not that flexible; B. the position is not natural; and C. I just can't do it - never could, never will.

After I picked my seat and settled in, Mr. Satori opened his eyes. and recognized who I was - or maybe not. I was just another customer - though perhaps he has very few customers these days. In those few times I have gone there, I've only ever seen one or two customers.

But before I could say a word or order my coffee. Mr. Satori asked, "If you were to find enlightenment then what would you do?"

It was unusual for him to start of with such a question - a zen koan if you will. In the past, before bringing the coffee, he would first come over and whack me on the head with his bamboo stick and call me "Stupid boy". So, I was a bit surprised by his new shop's strategy.

OK I'll play. I thought to myself. I mean, how can I be one with the universe and everything in it? I can't grasp the Milky Way which our own galaxy let alone trying to get a handle on infinity and beyond. Also I have no interest in becoming one with my cat's litter box.

"A coffee" was how I replied to his question about enlightenment.

I thought for minute before asking, "So Mr. Satori, so how do you become one with the universe?"

Mr. Satori came bearing my cup of coffee. He put it down at the table next to were I was sitting and in a flash pulled out his stick which he had tucked in is obi belt, and whacked me on the head.

"Stupid Boy," he said.

Frankly at that moment I was a bit pissed off. The customer is always right. And this is Japan.

Then I thought about Starbucks around the corner and down the street, and their coffee served in paper cups with plastic lids.

I reached over to the next table and picked up the black coffee in the simple cup he had purposefully prepared for me.

Winter Coat

Golden brown leaves
on stiff autumn branches
rustling in the wind
I stop and take notice
to watch them fall
without feeling
She came in the spring
stayed though the summer
but left in the fall.
Button my winter coat
and turn away
the wind in my face.

Abstract Obstruction Zone

Disconnected from the birthplace
Wandering, grin intact, but like curtains
hiding the dark on the window's other side
A shelf filled with a wealth of books
I'd need to live all over again to read them
A sad thought, obstructed by my disconnect
Skulls stand gaily on sideboards
Luckily no wax dribbled wine bottles remain
A night time of youth, disappears, waxing moon
There are no longer any bicycles in my house
and the space hopper burst on it's way to the graveyard
Rizla packs and old mugs, a sex pistols rare single
It's rarity no longer pleases, obstructed by my disconnect
I'll never buy another wedding album
That should make me happy, I have two already
A gored child's face stares blank from the CD rack
I used to love those songs, obstructed by my disconnect
The rise and fall of Reginald, or was it Ziggy?
The memory held back by a broken path
My old brain, swiss cheese or scratched record
I can't recall my first love's face, obstructed by my disconnect
I remember the first time I heard the word "nigger"
It upset my Mother more than "cunt", I felt proud
Paki bashing skinheads beaten up by gay pride gang
I used to dream such beautiful things
Now it's all sex and zombies, obstructed by my disconnect
My partner smiles and for a second things fit into place
I take a book from the shelf, one already read
I will start again, maybe there's time
The glorious friend with a salty custard Grandma
His laugh sometimes rings out when the silence bites
I try so hard to obstruct my disconnections
LET NOT anyone tear us apart, my sons gleam in the distance
"'til the sun burns out!" I told her a thousand times
I hope she's happy, smiling at some new car
Mind open, riverlike memories clash, no order
my Father laughs, like glorious thunder, a great man
A shadow of such length, it spans my life thus far
Beans on toast, a feast of unemployment, obstructed by my disconnect
Still there is no order, nor ever should there be
Ordered chaos? Oxymoronic theories abound
And still Joe Strummer is dead
Elvis is working in Clapham
and 2011 nears the time to close it's eyes
And put another book on my overflowing shelf of dreams.

interference net

Woken up by Iggy Pop
He's got a cock in his pocket
i remember open up and bleed painfully
Aurally, physically, one time sexually, Gita was her name
Went to sleep with David Bowie, in a quicksand of dreams
Boogie with Hooker, John Lee and Mai Ling
Different folks, penis strokes
Music fills everything for me
Alongside the inevitable words
Crazied on by Burroughs, drawling saxophone syringe
Out clevered by Cocteau
Upset by Celine, no fascists please, of his time, out of line
Stephen Hawking failed his physical
But destroyed another God and found his own universe
Paper, plastic, vinyl, celluloid visions
Not interfering internet
Tear jerking happiness
with a side of reality
Lou Reed laughing at my velvet underpants
The tunes ring out
And the words live on
I need electric friends like a bicycle needs an ashtray

Calling All Shadows

Where have our lives gone?

Where the fuck indeed.

Sucked into forums
Sucked into social sites
Exposed to complete strangers
My father keeps in touch through bank statements
With creative codes
A black winged serpent watches
Taking notes
Photos of mad nights in bars confuse
Phone calls to mistresses now a free for all
Happiness prevails … absolutely
Times are good
Times are good


I watch your cock bob up and down as you head towards the light switch. The last thing I see before you turn out the light is two big balls. Suspended between your legs. Fleshy. Wrinkly. And covered with a fine fuzz. You fall asleep with your arm around me. Warmed by the red neon of the Safeway sign. Bathing us in red. Until you turn over and I stare at your naked back. I know that when you go, the imprint of your body will throb in the darkness on the mattress next to me. And when I stretch out my arm to feel you, your absent fingers will trail up the veins in my arm. But for now, I’ll be your Zelda Fitzgerald.

Friends? Beep Beep, it's the phone.

A world filled with friends, how beautifully quaint
A thought shortlived before the inevitable taint
Of bulbous truth bursts through, the minds creaking door
Since school days died, friends don't exist anymore
People yes, they are there smiling in their vaccuum
Hip Hoppity dancing to their new cell phones dead tune
Or typing and skyping to their internet set
Believing there's truth in every text message they get
Those unseen socially networked faces, are honest and real
That androids and iphones are the most efficient way to deal
With emotions once crafted over years of physical contact
Smiley faces, crying avatars now friendships shoddy contracts
And of course honesty is best served without a physical presence
And who needs phyiscal contact? It has lost any relevance
In a world where decisions need not even a shake of the hand
This plastic book of false, friendly faces is another nod to the bland
Bullshit existence, accepted, loved and treasured
The number of mails in your inbox are how friendships are measured
Well I'm happy, delirious, a moon drunken great moth
Buzzing in my lonely universe over all the friends I've not lost
My inbox is empty, my iPhone silent gunmetal grey
And me and my ever friendly cyber-pet hope they stay that way

Making sense

Don't take the Lord's name in vain
Some even command it that way
But God damn it,
If I open my eyes
I see sickness,
old age
Even Siddhartha couldn’t escape his demise
I swear these worldly things don't –
don't impress me
Not one bloody bit
I figure, you've got tell the truth
even if it is to your
coffee maker.

A good amount of suffering in the world
is caused by man
as if the already God-given misery needed our helping hand
war and strife
pleasure and pain
the enduring the smiles and cries of everyday life
Birth and death
The struggle between our first and last breath.
We do everything to cope
Accumulating material wealth
blind faith
living on hope
praising the Pope

If there is indeed a Hell below
Well, it’s one place I don’t want to go
Oh, hell no!
Actually I wouldn’t mind the heat,
But I'm quite choosy about the company I keep.
And if there Heaven up there,
seeing that it is supposedly created by the same architect
who created this uneven Earthly mess,
then I would guess
that heaven wouldn’t be any different
than right here - right now
Otherwise, the whole thing just doesn't make sense.

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